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bronze sculpture, the Artistic Language of the Ancients
bronze sculptures Animal Mask shape typical of the Western Zhou Dynasty and Shang similar shape compared to the Western Zhou Dynasty began to appear abstract shape deformation elements, and have some form of decorative patterns. Shang relief Animal mask, which is characterized by clear attributes, such as angle, ears, nose, lips, facial structure, processed meat in the art of independent, artistic only on the basis of the original extract, summarize and simplify, the Western Zhou period, the structure of these features. The bronze is now preserved in Fujita Museum of Art in Japan. As a graphic layout of the gradual appearance of the shape of elements from the human, Shang and Zhou bronze relief in the form of artistic language evolution process and its reasons for the formation of an elongated, distorted, exaggerated, to some extent blurred images of the natural features of the Western Zhou Dynasty Shoumian horns.
The ear was carried out image processing, graphics composition more attention on the part of the overall layout of the various co-ordination, a part of this area can be increased, widened, bending to strengthen and enhance images in the form of sense. This bronze sculpture is made in the form of a ram with a lid. Changes in order to strengthen the graphics will be used to enrich the local characteristics of the Shang dynasty evolved to strengthen the line shape through to the line, and line language increased, the overall image of the language on-line performance and the volume of relief structure on the shape of each component to obtain a balance Figure. The same form also in the shape of the Bird of Paradise, while retaining the basic features such as graphics head, body, based on the claw.
The phoenix bird’s head and tail feathers focus exaggerated elongated crown, and with the embossed shape of the space in which curved layout, while deliberately increase the curvature of the line, the use of language modeling is consistent with the Animal mask, as shown in. Gradually tend to focus on the Western Zhou Dynasty relief expressive line, shape gradually decorative patterning. One kui dragon stood in the front of the bronze statue while a phoenix on the rear part. The volume of the relief decoration of the structure and natural form apart, the volume of the relief structure of the compression process has been weakened and art, in order to decrease the volume compression performance to meet the line of smooth, level of relief reduced to only two levels to summarize, that relief in the bottom layer of the surface shape of the surface shape.
Protruding above the surface features, and the evacuation of the structure is more linked to form a point of light and shadow effects as compared with the line, focusing on online language forms, the artistic effect produced by the Shang’s simple, instead showing a thick gorgeous, beautiful, exquisite. The chinese bronze implicates prosperity brought by the dragon and phoenix as well as a good year. Eastern Zhou Dynasty bronze relief modeling the evolution of artistic form of language the results of the Eastern Zhou period as the pinnacle of society to slavery, as an important indicator of economic metallurgical handicraft skills after a thousand years of development, has made great achievements, following ” six together “after the law of the significant improvements bronze casting technology is the use of lost wax method, this method can be cast in bronze dragon to make a more compact, has gradually been accepted as a practical apparatus of social life, in terms of reduced copper door from.
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